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Red giant magic bullet suite review
Red giant magic bullet suite review













  1. #RED GIANT MAGIC BULLET SUITE REVIEW FULL#
  2. #RED GIANT MAGIC BULLET SUITE REVIEW PRO#
  3. #RED GIANT MAGIC BULLET SUITE REVIEW FREE#

This is a relatively small, and arguably unnecessary thing, but I really love it. The Film Print icon reflects the brand of film stock you select, the Exposure icon is, of course, an iris that actually opens or closes, and the Curves icon mimics your actual curve.

red giant magic bullet suite review

So the Chromatic Aberration icon is a white circle, but when you start adjusting the controls the icon reflects those changes and you’ll see R, G, or B spread out and the white circle will disappear. The icons for most (if not all) tools actually react to your adjustments. One thing you have to appreciate is the developers’ attention to detail when you apply tools to each of the different slots in the chain. Below that is a Strength slider which lets you dial back the overall intensity of your look. If you get familiar enough with these, you can quickly read what your preset contains. When you’re all done with your Look you can close out the Looks Editor and in your Effects Controls panel (at least in Premiere) you see a little set of icons for each of the tools you use. So vignettes, gradients, and relighting effects, are easy to change and for the rest of the tools that don’t have on screen controls, the UI for those in the actual Controls panel are easy to use as well. Some of the tools have an intuitive UI to adjust right on your video. Basically it’s a local contrast adjustment that’s not too harsh.

red giant magic bullet suite review

So the next time your client asks you to add 10% more pop, you can! What Pop actually looks like is an unsharp mask with a radius option, or perhaps something similar to the Clarity slider from Lightroom. Some of the tools that I like are Fill Light, Warm/Cool, HSL Colors, and Pop. On the right you have your controls for each tool and the tools themselves which are divided into those same categories you see in the center, according to the order of operations, and you can build your own custom looks as simple or as detailed as you want. Oh, and, there’s totally a Look preset called Potatocorn, it looks great. Looks is laid out in a very clever way: in the center you have your video and the Tools Chain which contains categorized slots for different tools, which are “Subject,” “Matte,” “Lens,” “Camera,” and “Post.” On the left you have your looks presets which you only need to hover over to see a preview AND what tools would go into each of the aforementioned slots, which is very cool. As a side note, I didn’t see Denoiser in there, so you would have add that separately, if you need it.

#RED GIANT MAGIC BULLET SUITE REVIEW FULL#

Here’s a quick overview of each of the six paid products and what’s new in the five updated ones: Magic Bullet Looks 3 is the same as it’s always been… but better! There are a ton of new look presets which are, of course, fully customizable the UI has been updated for efficiency, and most of the individual color tools (Colorista, Mojo, Cosmo) are accessible inside, so you can go absolutely crazy and really get the full power of the entire suite in a single Looks effect. The payoff isn’t worth it, and quite frankly, I’m too impatient when it comes to tweaking plug-ins that constantly need to be re-rendered because they only run on the CPU. I’ve said it before, but I don’t like using plug-ins that aren’t GPU accelerated anymore. My favorite part about the suite is that all of these new tools are fast. And no, the mix of Roman and Arabic numerals isn’t a typo, the products are actually named that way.

red giant magic bullet suite review

#RED GIANT MAGIC BULLET SUITE REVIEW FREE#

The suite contains seven products, five of which are newly updated: Magic Bullet Looks 3 Colorista III Mojo 2 Cosmo 2 Magic Bullet Film, which is a brand new product Denoiser II and LUT Buddy, which is actually a free download. I got a chance to test it out and what I found was an impressive toolset that’s been significantly improved from previous iterations and good news for FCP X editors, you now have access to the (most of the) suite as well! Check out his portfolio at Red Giant’s Magic Bullet Suite has been around a long time, and recently, version 12 came out.

red giant magic bullet suite review

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#RED GIANT MAGIC BULLET SUITE REVIEW PRO#

This review was provided to us by David Arbor who is an editor, videographer, motion graphics designer, and Adobe Certified Expert in Premiere Pro in the Washington, D.C.















Red giant magic bullet suite review